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Either/Or : Part 1 Kierkegaard's Writings Edna H. Hong, Howard V. Hong, Soren Kierkegaard
Publisher: Princeton University Press

This is kind of like The kind of readers who sit up late with Ulysses, or who consider Kierkegaard's Either/Or to be beach reading. Either/Or : Part 3 Kierkegaard's WritingsPrinceton | ISBN 1693131639 | 3999 | 939 Pages | PDF | 39 MBThe definitive edition of the Writings. One of the things I've noticed in my years of teaching is how few people come to the craft with much understanding of the context, the cultural backdrop, the history of ideas that informs works of art now. The raw source material for this plotline is found in Kierkegaard's books “Either/Or,” “Fear and Trembling,” and “Repetition,” in which he takes on the persona of various first-person narrators, and describes their experiences. 'that eternity which lies not outside time but in the midst of it' [51. He adapted the Sermon on the Mount for American audiences, writing, “Blessed are the happy who have everything, because they won't need to be comforted” and “Blessed are the impeccably dressed, because they will look nice when they see God.” He responded sharply to Kierkegaard's Either/Or with a treatise titled Both/And, followed by the conciliatory Either/Or and/or Both/And. Also 54 Is there not a secretive anxiety and horror in it, because its beautiful harmony works its way out of lawlessness and wild confusion, its security out of perfidy? I found this site on accident by looking up harold and maude…it was really cool to see kierkegaard and camus applied to relavent movies…keep up the good work…but i don't believe in god…life is despair. He repeated it; the acclaim was even greater. Here are some of my reading notes on the first part of Kierkegaard's Either/Or. Compare, regarding actualizing the eternal in the temporal (Bergman), the reference on 37 to 'an idea that joined the finite and the infinite'. The clown came out to warn the public; they thought it was a joke and applauded. What's more, of these That disenchantment is the loss of the Medieval sense of the numinous as being part of everyday life. Two quotes from 'Either/Or' by Søren Kierkegaard. €�A fire broke out backstage in a theatre.